Here we’ll take you through the process, step by step.The introductory version of this highly regarded mastering package puts the most essential mastering tools into the hands of any producer. iZotope don’t recommend skipping back and forth between these screens as the two are meant for alternative workflow. You can skip back to the Detailed View and make more microscopic tweaks, or stay on Assistant View to make more broadbrush changes. In other words, the controls seen in Assistant View are macro controls for a few of the loaded Neutron modules in the main strip. What remains is a group of modules behind the scenes – which is a starting point ready for you to scrutinise and makeīut Assistant View doesn’t automatically land you back at the main screen with the Neutron processor modules – this is now known as Detailed View – instead, it brings you to a new screen where a handful of controls take command over a few of the most crucial and characterful elements of the loaded processing. After a few seconds, it sets about setting up a range of processors and making mix decisions. There are clever little processes scattered throughout the plugin, such as Learn buttons on the EQ to suggest frequency bands of interest you might want to use and on the multiband processors to suggest where the crossovers could be, but the major component of Neutron’s AI capabilities is the Assistant View.Ĭlicking the View tells Neutron to analyse the audio of the track it’s on. Neutron’s AI technology is one of its biggest selling points, but that part is entirely optional. You can push the distortion amount and Mix very harshly and then bring things back under control by switching it on. Step 7: The new Tame button at the top-left of the interface acts to add dynamics back into the signal. This is quite useful for retaining the character and drive of your chosen distortion but not fully swamping the sound in it. This allows more options in analogue-style saturation for the low end, screaming high-end distortion, or any number of midrange flavouring options for instruments or vocals.įinally, a Tame button within the processor lets you reintroduce dynamics once you’ve obliterated them with over-the-top distortion. These have been taken from iZotope’s Trash 2 distortion plugin, and they give a great selection of extra variety.Įlsewhere, the new Tone slider helps to weight the distortion type between low and high frequencies (or anywhere in between), serving as an emphasis control to target only the bands that you feel you need to. First up, there are four additional distortion modes to blend between using the X/Y display. The Exciter module has been heavily redeveloped for Neutron version 4. High- and low-pass filters help restrict the effect to certain frequencies – great for kick and bass. Balance it alongside the Amount control once you’ve set everything else up. Step 6: Sensitivity increases how easily the Unmask module is triggered. Quick mixing with Neutron 4's Unmask module When there’s a single sidechain input available, there are some limits to the effectiveness of a single Unmask module, but with a dedicated plugin version available (except in Neutron Elements), there’s room to set up trickier networks with multiple instruments ducking multiple other instruments. The Unmask module is placed over the signal that you want sculpted, and the signal you want to make space for is connected to Unmask as its sidechain input. To a point, this is very much like a dynamic EQ, but you’ll also notice the uneven shape of the cut (sharper towards lower frequencies), which is completely in line with how our ears perceive masking – where a sound will far more easily mask another if it’s lower in frequency. The module works by splitting the signal into a large number of bands, and reducing each when that band is playing in the sidechained signal. We’ll show you exactly how the Unmask module works in operation in our tutorial, but first, a few of the implications of this little device.Įspecially since the Unmask module is available as its own plugin in addition to the Neutron-encapsulated version, a quick mix is very easy to lay down. With the Unmask module in Neutron 4, iZotope have, you could argue, created a one-stop-shop processor to instantly do just that. Processing one instrument to ‘move it out of the way’ of another is, practically speaking, the essence of what mixing is.
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